Abstract: A book can be truly completed and presented to readers through the design of the form folio, the creativity of the envelope cover, the positioning of the layout style, the selection of material texture and the management of the printing and binding process. This is a multi-level, multi-method and multi-method process, which has experienced the transformation of books from flat to three-dimensional. The relationship between readers and books is also a multi-faceted dynamic aesthetic experience process, so the art of book design is fundamentally a three-dimensional and diversified art category.
Keywords: book design stereoscopic
Books are flat, rich in text and graphics to bring us the information we need; The book is also three-dimensional, clear and decent, with different folio sizes, thicknesses and textures, bringing us a full range of aesthetic experience.
In traditional book binding design, the word "binding" originally means the process of folding the paper into one frame, binding it from multiple frames, and attaching the book cover. For a long time, binding is only synonymous with cover design, just starting from the decoration design of the book cover, make a packaging for the book, and do some creativity on the title, color and graphics of the cover, even if the design is completed. Modern book design starts from the overall design, including the size of the folio, the use of materials, the arrangement method, the reading process, etc., which is a kind of "tectonics", which is a comprehensive study of rational thinking to create the physical conception of the external book shape and the information transmission of the book. Mr. Lv Jingren said: "Book design is the designer's accurate reading of the content, followed by the emergence of the subject's sensibility, understanding of understanding, intellectual collation, through careful calculation, careful planning, rhythm grasp, process planning, etc., a series of coherent and orderly overall construction of the designer's mind's 'structure'." ”
Modern book design has broken through the plane and moved towards three-dimensional pluralism. We can use our eyes to feel and touch the three-dimensional beauty of the book with our hands. The three-dimensional and diverse beauty of books is reflected in the following aspects:
First, the variety of forms of books
The book folio is the size of the book, and the folio is also a language, and only after determining the folio can the design of the center and layout be determined according to the intention of the design. The appropriate folio design can convey the positioning and connotation of the book, and the well-known book designer Wu Yong said: "The width and narrowness of the folio can express different emotions." Books with narrow folios look beautiful, books with wide folios give people a sense of galloping, and standardized folios appear to be stable. Design is about considering the content needs of the book. ”
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