A Good Work in the Study of Chinese Printing History: A Review of the Chinese Printing Allusions
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A few days ago, my grandfather sent me a new book, "Chinese Printing Allusions." Under reading, I deeply feel that this book is novel, well-printed, easy to understand, color-printed, concise, concise, content-rich, and great. It is worthy of being selected for the "12th Five-Year National Key Book Publishing Plan", which is a good work in the study of Chinese printing history.
The author loves history since childhood, perhaps because of the printing of the two elders of the family and the history of printing by the famous teachers. He has also learned some printing history knowledge and has a keen interest in the printing history. Holding this newly published "Chinese Printing Allusions", it is natural to put it down and read it.
I have a habit of reading a book. I have a book in hand. I first examine the overall appearance of the printed book, the title, the author, and the publishing unit. I intend to obtain first-hand information and form a first impression and understanding of the book. Re-rolling to read famous prefaces, catalogues and texts, and drawing on nutrition.
My first impression of the book is the novelty of the cover design (drawings), the overall printing is excellent, the title of the book is accurate, and it is from the hands of the famous printing masters. The cover design is novel, the overall printing is excellent, and no need to waste paper, the reader will know at a glance. The accuracy of this idea requires an overview of the preface, catalogue and text of the two senior professors.
From the lines of the prefaces of the two professors, it is known that Mr. Zhang (hereafter referred to as Mr.) is based on his handwritten “Paintings of Chinese Printing History” written for the Beijing Printing School in the mid-1980s. It has been more than 30 years since. In early 1992, he wrote the book "The Best of China's Printing". Later, at the end of the last century, he wrote the book "General History of Chinese Printing" and added Hong Kong, Macao, Taiwan and the modern part. The number of questions increased to 140. In order to facilitate the publication of the English version, the name was changed to "Chinese Printing Allusions" and was handed over to Jiangxi Science and Technology Publishing House for color printing. The Chinese word is intended to include Hong Kong, Macao and Taiwan, and the allusions refer to typical cases. The comprehensive meaning is that this book is the master of the Chinese printing allusions.
It is clear from the book catalog that the 140 subtitle capitals are a "most" word. Its connotation is clearly the typical example of the book that all the stories collected in the book are unprecedented and can be called the most printed.
From the historical stage of the book, the book is divided into four historical periods: origin, ancient, modern, and modern (contemporary). This is the innovation of this book. Looking at the past printing history books, Mr. is the first to tell the modern and modern people across the Qing Dynasty, and the origin part is rarely asked. This is the greatest contribution of Mr. to the study of printing history. It is obvious to all.
From the scope of content coverage, this book adheres to the history of large printing, in the newspapers and periodicals, as well as in the printing of fabrics and packaging products, as well as related fields such as equipment and equipment, process technology, scientific research and education, and publication of professional books and periodicals. This is just like the Chinese American Professor Qian Cunxun said: "It is too late for it." Here, Mr. is not a big deal.
Mr. Ming clearly stated in the preface of this book that the allusions collected in this book are unprecedented and can be called the best of printing. It is not the most important event in printing. This book uses relevant links to include it in related topics. Objectively, the combination of these 140 typical examples in chronological order and the chronology of the book after the book is a systematic and concise history of Chinese printing.
Mr. has always believed that the origin and invention of printing is a long-term evolution process. After the material and technical conditions are mature, printing will be ripe and ready, and it will be born in the need of social and cultural development. Those who advocate dissent from certain existing documents should not be self-sufficient and self-righteous. To this end, Mr. this book insists on the description and not the principle, and the existing relevant literature is fully income. It is not wrong, leaving it to future generations for further research and evaluation.
The writing style of this book is smooth and easy to understand. It is divided into deciphering, concise and concise, beautifully printed and illustrated. In the words of Mr. Li Xingcai, a senior professor, this is a printed history book that laymen can understand at a glance.
It is reported that after the publication of this "Chinese Printing Allusions", as a sister article, Mr.'s new "Chinese Printing Talk" (the revised "Ancient and Modern Printing Talk"), "Chinese Printing History" will be published one after another, with a good reputation. The "Four Treasures and Printing" will be revised and reprinted. If these four printing history popular books can be translated into English and promoted to the world, they will make important contributions to cultural exchanges between China and foreign countries and defending the right to print. let us wait and see.