Requirements for printing Chinese painting
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Chinese painting, that is, Chinese painting, is an artistic treasure of the Chinese nation. It is China's unique traditional painting art. It has a distinct ethnic style and form. Chinese painting can be generally divided into two categories: ink painting and color ink painting. The painting age is divided into three categories: ancient painting, modern painting and modern painting. The techniques are divided into meticulous painting, freehand painting, meticulous and freehand painting. Chinese painting uses water as a solvent, ink and pigment as color materials, and it is painted on rice paper or Juan, and it has its own unique style.
Ink painting: The whole picture is in black and gray tone. The color is not based on five kinds of ink color, that is, focus, thick, heavy, light and clear. The picture is often composed of a few strokes but it is peculiar, simple and powerful. Lively and lively, with rich levels of change, forming its unique style.
The focus should be on the change of black ink rhyme. The technique of painting, rubbing, spotting, dyeing, etc. in the painting should be maintained to prevent the darkness caused by the darkening of the dry pen.
Color ink painting: In addition to the characteristics of the above ink painting, it also applies color, and the new angry ink and color match is extremely harmonious and color, which makes the ink painting more elegant, elegant and elegant, which increases the artistic effect that ink painting can hardly achieve.
Color ink paintings are divided into two types: light color and heavy color.
Light color painting: There is a simple color in the ink, and its color is lighter. The copy should be black, the amount of ink should be thick, and the other color plates should be copied with some lighter methods.
Heavy color painting: It uses bright colors and requires a bright and calm, strong and harmonious, thick and symmetrical, similar to watercolor. Although the color of the heavy color painting is important, the black version must be handled properly and should take into account the characteristics of Chinese painting.
Freehand drawing: refers to the description of the will of the object, the wet ink of the picture, the brush strokes of the dry pen or the dry pen, and the splashing ink. Most of the light and dark levels of meticulous paintings rely on lines. The meticulous and freehand brushwork is the combination of the two techniques. The secondary things that set off the theme are freehand brushwork, which is thick and thin in terms of pen and ink equipment. Square painting: Due to the long-term collection, the original color and the background color of both the paper and the transcript have changed, that is, the pan-color, forming a unique ancient painting color. In copying, we must try our best to protect the yellow wrinkles that have formed in the picture. Hydrolyzed traces; different colors such as darkening.
Chinese painting is a freehand drawing. Meticulous painting. Or ink painting, the main feature is "with ink as the second color", the use of ink and lines should be used to express the shape of the object.
At present, most of the copied Chinese paintings use electronic color separation and four-color printing technology. How to use this technique to better reproduce the original features and artistic style according to the characteristics of Chinese painting? First of all, according to the characteristics of Chinese paintings outlined above, the original mining is classified and analyzed, and corresponding technological measures are formulated according to different manuscripts.
1. Analyze the original against the original;
2. Soliciting customers' focus and requirements for copying;
3. Select several sets of representative original color separations (make the key points and data to be copied).
For example, the album "Ji Ya Zhai Tibetan Painting" contains different types of paintings from ancient paintings of the Ming Dynasty to modern Chinese paintings. The color of the picture should be accurate, especially the color of the ancient painting should be old and simple. The customer raised a few pieces of mud gold paper fan. Before the middle of the Ming Dynasty, the color of the gold foil paper fan was red gold. In the early Ming Dynasty, it was a green gold. Otherwise, the paper fans were different for hundreds of years, and the value difference was ten times better.
Because of the large size of Chinese painting, most of them are made into natural films. Because of the camera technology, equipment, etc., prime. Most originals have a color cast. Depressed, correct color cast when copying, brighten. Pay attention to high, medium, low-key, neutral gray balance.
When copying Chinese painting, we must pay attention to the level of the tone, complete focus, focus, weight, light, and dissolve. The picture, front, middle and back levels should be distinct. The white paper on the white paper must have small ideas, not the net, otherwise the high-profile is too hard, out of touch, loss of coherence, peace, the picture is too stuffy. Therefore, the high-light calibration must be correct, the fine points should be controlled properly, neither hard and hard, nor flat and too deep. Try to maintain a high-profile level, and then pay attention to the high-profile level, keep the three-color balance into neutral gray, do not jump color and color.
The level of the level must be complete, the black version should be growth-adjusted, and the black version must be deep enough to make the black version full. We can scale the black version from 2% to 90% (yang) and remove it with a base color. The background color gain is reproduced and reproduced, and the freehand drawing is thick, heavy, light, and clear. Methods as below:
To basically adjust the original, the background removal range is set on 7-8, the three-color calibration point is removed to c70%, M59%, Y60%, and the background gain range is set to 5-6. The background color gain knob will multiply the three-color calibration point to C75%, M64%, Y65%, and K95-1oo%, so that the picture is thickened .
Such as "Ji Ya Zhai Tibetan Painting", use this method to copy. Some of the paintings, such as the pine needles and several calligraphy works, are written on the colored paper with patterns, and the words and patterns are integrated into one. The words are faintly seen in the words. After this method, the pine leaves are pulled. Open, so that each pine leaf is visible, the pattern is visible in the word, strokes. Make the picture breathable, have a three-dimensional sense, be angry, and the customer is very satisfied after watching.
Secondly, the use of clarity, especially freehand drawing, the picture can not be too clear, in the selection of the aperture on the small and small, the fine level knob should be small, otherwise the electronic taste is too heavy, the picture is thick, embossed, and destroy the art of Chinese painting Characteristics and artistic conception in the painting.